Vol. 7 No. 1 (2022): Special Dossier: Narratives of the Apocalypse

DOI: https://doi.org/10.21471/jls.v7i1

Published: 2022-08-15

Special Dossier

Narratives of the Apocalypse: An Introduction

Chloe Hill, Victoria Saramago

1-6
- PDF
Remembering the Future: The End of the World Survivors and Contemporary Brazilian Imagination

Luz Horne

8-29
- PDF
Lu Ain-Zaila’s Sankofa and Brazilian Afrofuturism: Akan Philosophy and Black Utopia in a Postapocalyptic World

Emanuelle K.F. Oliveira-Monte

31-53
- PDF
Island Narrative and Bridge- Building: Postapocalyptic Isle of Love in Agualusa’s Os vivos e os outros

Wang Yuan

55-75
- PDF
A escrita do apocalipse em Estuário de Lídia Jorge

Dora Nunes Gago

77-95
- PDF
Last Men of the Lusosphere: Postapocalypse in Twenty-First- Century Novels from Angola and Brazil

Benjamin Burt

97-119
- PDF
Toxic Crops and Eco-Zombies: An Ecocritical Reading of Corpos secos (2020)

Leila Lehnen

121-142
- PDF
Suicidal Cows and Fields of Worms: Apocalyptic Agribusiness in Brazil and Argentina

Eduardo Leão

144-167
- PDF
Pissing Out the Poisons of the Past: Rui Lage’s Ambivalent Portrait of Rural Portugal in Estrada nacional

Peter Haysom

169-191
- PDF
Apocalipse Queer como teatro total em António Variações e David Bowie

Luis Carlos S. Branco

193-212
- PDF
Apocalipse social audiovisual: Os ciborgues nas paisagens sonoras do ciberpunk lusófono

André Malhado

214-233
- PDF

Translations

From the Editor. . .

Marguerite Harrison, Jeremy Lehnen
- PDF
They’re Just Rehearsing

Bernardo Carvalho; Rex P. Nielson

235-239
- PDF

Book Reviews

Aidoo, Lamonte, and Daniel F. Silva, editors. Lusophone African Short Stories and Poetry after Independence: Decolonial Destinies. Anthem Press, 2021.

André Corrêa de Sá

241-243
- PDF
Nascimento, Evando. O Pensamento Vegetal: a Literatura e as Plantas. Civilização Brasileira, 2021.

Andressa Maia

244-248
- PDF
Freitas, Adelaide. Smiling in the Darkness. Translated by Katherine F. Baker, Bobby J. Chamberlain, Reinaldo F. Silva, and Emanuel Melo, foreword by João de Melo, Tagus Press, 2020.

Laura Vieira

249-251
- PDF