Fetishism as Theatrical Device in Nelson Rodrigues's Os Sete Gatinhos

Authors

  • Isadora Grevan de Carvalho Rutgers University-Newark

DOI:

https://doi.org/10.21471/jls.v1i2.108

Keywords:

Brazilian theater, modernism, psychoanalysis, masquerade, Gilberto Freyre

Abstract

In this essay, I examine the concept of fetish and how it manifests itself as Brazilian social structures in the theater of Nelson Rodrigues. I offer a particularly detailed study of fetish in Rodrigues’s Os Sete Gatinhos. Here fetish serves to illuminate gender relations and the patriarchal family as a cultural myth to be deconstructed, as well as working to reveal the connections between space, bodies, performativity, and power in Brazilian society.

Author Biography

Isadora Grevan de Carvalho, Rutgers University-Newark

Isadora Grevan de Carvalho is an Assistant Professor of Portuguese and Brazilian Studies in the Department of Spanish and Portuguese Studies at Rutgers University-Newark. Her research focuses on Brazilian theater and questions of marginalization and fetishism in Brazilian and Luso-African literature and culture. As a Fulbright scholar, Isadora is currently doing research for her second book manuscript, Performance of Fetishism and Marginality in Modern Brazilian Theater.

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Published

2016-11-27

Issue

Vol. 1 No. 2 (2016): Special Dossier Honoring Russell Hamilton

Section

Articles

License

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.